The main guide of the performance was a voice-over, which led the audience’s attention on how to perceive the flow of main narrative by giving subtle hints and directions though the means of lights, sound and body. The important component of the performance was the physicality, derived from specific choreography, created for balancing on high heels.

The choreography was based on the tight and precise movements, crafted to the limit where no mistakes could occur. The high heels, in which choreography was created, were used as a tool to produce the sound. By amplification, recording, processing, timing and composition, the sounds produced by the high heels were creating a soundscape. The performer was at the same time a composer, creating a sound score right on stage.

The beginning. Arrival to Earth or Chasing through the forest. Fog. Entering the void.
Shift in time.
End of forest.

Part 2. Meeting, MACABRE dance.
Revolt against the flow of time or Infinity, fear of the end. Passage. Conversation with champagne. Prayer-monologue of Rita or closing the case.

Idea - Olga Tsvetkova
Realisation / on stage - Alissa Šnaider, Olga Tsvetkova and Renzo Van Steenbergen.
Music and sound design - Renzo Van Steenbergen
advice - Katerina Bakatsaki.

SNDO / Veem House for Performance.